Vollmond at Sadler’s Wells

Just had to post about quite possibly the most mesmerising dance performance I have ever been to.

I spent this Sunday afternoon watching, and Sunday evening recovering from, Pina Bausch’s Vollmond.

Just to remind myself I took a few photos of the program – many of the images are completely seared into my mind, but a little memory jogger might help in years to come.

I am so embarassed that this is the first work I have ever seen by Pina Bausch. I intend to make up for this!

Thank you Sadler’s Wells for putting this on, and to the company for such a remarkable, sustained, haunting and physical performance. Simply wonderful.

The lift

There were always rules. Even though they were very specifically designed to be broken.

There were also unofficial recommendations, agreements – things that were just common sense really. Not wearing neck jewellery was a good example, as short a skirt as possible. Things like that prevented us from going completely off the wall. You have to have something to cling to.

Then there was the effect of time. We just got better, little things make a difference. I remember the first time the lift doors opened and she was nervously standing right in the middle. No bra, as arranged, no underwear.

The next time she was against the wall, leaning provocatively against the side mirrors. By the third time the doors slid back she was already in the corner. ‘No bra’ stayed with us but the effect of my elbow on her chest was entirely secondary.

The main thing is the pressure. How hard, and where. The thumb, the centre of the palm and the index finger are everything. There’s a subtle and so important level of strength – a crushing weight.

By the fifth or sixth time we had it down perfect. This is the seventh.

Incoming text. I reply with a single letter. That is the end of all communication, that’s part of the rules. Everything has to be done by instinct and in silence.

The light flashes and the ping identifies which lift it would be. I cross over and stand outside the doors. They start to slide open. She is leaning against the back right corner – on her left side are mirrors, behind her dark glass.

I look her over. That was a recent improvement – not turning around. So I just walk in, staring at her and keep watching her with my back to the open doors, waiting for them to close behind me.

I watch her breathe out, gaining us long, precious seconds. She exhales completely and holds it. Her mouth is slightly open, as she forces the air from her lungs she slowly bends over and flattens a hand against the mirror. We are both counting it out in our heads. Finally the doors close.

I move quickly, lifting and slamming into her, right leg between hers, left hand in the small of her back and my arm across her chest, fingers and  thumb loosely around her neck. I look into her eyes, dilated pupils, a darkness that gives me complete permission. I push the palm of my hand against her throat and start slowly to squeeze. Her eyes close, she begins to shake. The effect is instant, soft moans as my grip tightens, gentle gulps as she begins to  fight for air. I squeeze harder with my hand, restricting the arteries on the sides of her neck with my finger and thumb. Just 5 more seconds and she is floating, gasping. I place my mouth over hers and exhale into her, filling her with the wetness and scent of me. She can’t breathe. She doesn’t fight or resist, she looses all control. She is spinning now –  her head shaking and her knees give so that I am holding her up by the throat. Slightly harder, I force my chest against hers and her head bends backwards. With 3 seconds to go she shakes with pleasure. I squeeze, making sure that the brain is starved of as much oxygen as possible and slowly lick the inside of her lips. She moans and splutters, I press all the weight of my body against her, crushing her against the mirror.

Her eyes are completely shut and I know she cannot hear me, but I whisper into her mouth, promising to fill her. The ping of the lift arriving is our signal and as I immediately let her go she drops helplessly into a crouch, gulping for air and fighting to recover her senses.

I walk out and back down one flight of stairs to my desk, wiping at the wet stain from her.

 

Context

This is an assignment in my current creative writing course. We had to write a sex scene between two office workers who have an existing relationship, taking place in a lift as it travels between two floors. 11 seconds.

The exercise is really interesting because sex is damn hard to write about… the challenge was to write something immediate, in your face and that the reader feels enaged with.. did I succeed?

 

Photo Processing

Keen to practice my skills from my Lightroom course yesterday I will be posting some processing results for comment. Just simple before and after pairs.

The processing for this post is a simple 3 step sequence of white balance + pushing up the whites + sonic screwdriver – all applied to this long distance snow scene up in the Ashdown Forest during the snows of January.

Before :

 

After :

 

Much improved I think!

 

Third Angel : Part II

I knocked and after a short wait opened the door slowly to peer into the gloom of the office. For a moment I thought it was empty but as my eyes grew accustomed to the darkness I could see Gill stretched out on the floor under the window.

‘Pull up a pew Mark. How’s everything? Good week?’

I smiled, sat down and eyed the case files on the desk.

Gill stood up, pulled up the blind, straightened her hair and brushed at her trousers. I was already getting used to her lack of conventional behaviour and enjoyed working for her.

‘Grab the file – surprised you haven’t already – Julia Booten – she’s been through the mill a bit.’

‘I want to take you down to meet her this morning so here’s a quick summary. Young single mother, numerous social services interventions, severe depression – catastrophic house fire – she was rescued but her two children died. Two years later convicted of arson. Broadmoor for the last 18 months. Several claims of abuse while there, all of which were not upheld. Clumsy but probably genuine suicide attempt prevented. Stopped talking a few months ago. Moved to us as part of the shut down of Broadmoor. The file is well worth studying, she has some interesting obsessions and delusions – she believes in angels.’

‘Is she talking now?’

‘Not to me Mark. I haven’t got enough time as you know but I wanted to try first. So at this stage I’m looking simply for a way in, a way to get her to open up. I don’t know if it’s possible in any reasonable timeframe, but can you make her your priority this week? I’m back here next Tuesday’

‘Yes of course Gill, whatever you need.’

‘Any concerns, immediate thoughts? I’d like to take you down now?’

My mind was full of questions, the first meeting is so important, I was confused why Gill with her all experience was skipping so many details.

‘Self harm? Danger to others? Is she likely to open up to a man?’

‘On the men side – maybe not, to be honest – that’s what I thought so I wanted to try first. But you’re patient and excellent. And all we have.’ She smiled at me. ‘Bring a book or something? It’s not likely to be that fascinating at first, based on my experience. Just be there, see if she will talk given enough time?’

I nodded. 

‘On the risk side, yes you should be careful. I was going to go over this. She hurt some people at Broadmoor, claimed self defense and reading between the lines it might well have been. She has the occasional fit and lashes out. But like most she didn’t deserve the security level she got. Normal stuff, lack of resources, mixed wards.’

I flicked through the first few pages while Gill continued in her confident, business like way.

‘She is a self harm risk, though nothing recently. She did try to kill herself after all, and she has some interesting scars. But actually I don’t think that’s a huge concern – she seems to be quietly fighting her own battles, focused on something, just no idea what. We do have a cam on her of course.’

‘Shall we?’ she stood up, I picked up the file and we strolled down to the ground floor and round to one of the flexible space crisis centre rooms.

‘We put her in here just to try to keep her calm. She’s been short on privacy for a very long time.’

Gill held the door open an inch and reached out to touch me on the arm. She looked at me with that kind of mood breaking quiet intensity she could turn on at will.

‘Don’t expect too much Mark. I’m going to introduce you, just in case it makes a difference. It might, because I am a woman and because we have spent some time together. But actually she has never said anything coherent to me. Then  I will leave, and maybe you could try to stay for a while, just to see if its possible without her lapsing. Small steps.’

 ‘Of course’.

Gill opened the door.

‘Hello Julia, there‘s someone I want you to meet. This is Mark.’

She was sitting on the edge of the bed, her pale skin gleaming with sweat. Her arms were crossed over her chest, her hands pulling at the short  nightshirt near her shoulders as if hugging herself. She was slowly rocking.

‘Mark is going to be here with you whenever you want him to be. He’s just going to listen. He wants to help you.’

She didn’t respond, and stared down at her feet, watching them trace small circles on the floor. I could hear soft murmurs, almost whispers.

‘Hello Julia.’ I said, quietly. ’I am just going to sit over here, you don’t need to say anything, and I am not going to come any nearer.’

I sat on the small chair, looked at Gill, who nodded, shrugged and quietly left the room, closing the door behind her. I was alone with Julia for the very first time.

January 2013 Highlights

My monthly creativity review for January 2013.

With no trip abroad scheduled until March photography was a continuing learning curve, with an interesting trip to capture skateboarders in London and more general experience around Sussex.

So here are 10 of my favourite images from this month :

Higher resolution access on Flickr is here.

On the writing side I started my second 10 week course with Gary Mepsted and am really happy with the amount I am learning, especially on a way of planning my writing that works for me and has really increased my productivity.

The task this course is to write a 5,000 word short story, first person, on the theme of unrequited love. I have decided to write about personal feelings interfering in the case of a mentally  troubled woman. The introduction is posted at “Third Angel“.

Looking ahead for February the writing of the short story will be my focus, trying to get well towards completing my first full piece of creative writing. I am also booked on a Lightroom workshop which I am really looking forward to.

And good to see that the Three Jolly Butchers Writing group is continuing!

Third Angel

Renaissance Peace Angel. (Image Source: The Green Life)
Lin Evola-Smidt

I am writing I think primarily  for myself, a last attempt to put everything in order and to tell honestly the story of Julia Booten. I feel the need to put everything down as clearly as I can, without any of the manipulation of the facts that others have used over the years in order to satisfy their intended audiences. I still have some time before my retirement, and access to both the Broadmoor and Mountain View case files will fill in some of the gaps in my memory. That matter of simple convenience and the need to work while my mind is still relatively capable makes this the right time to begin.

But her presence is always with me, and so perhaps this endeavor is for us both. Even as I begin with these first paragraphs I look up and see her sitting terrified on the side of her bed, her bare feet tracing circles on the floor, exactly as I first met her when I was a young and enthusiastic occupational therapist at Mountain View. I catch myself dreaming of her with increasing frequency, or it may be that my ageing mind is playing tricks with me.

How to organise this account then? It would seem appropriate to be professional and logical, to present the facts as I know them in sequence and in a detached and considered manner. But ultimately I am for the first time being honest about our emotional involvement, and such things are not well described in a clinical fashion, they only make sense when seen in the context of the chaotic backdrop against which they took place.

Julia herself was clearly a very troubled woman, even towards the end when we seemed to be making such outstanding progress. Much of what she told me was either exaggerated or clearly unbelievable – her preoccupation with the Angels, her unshakeable belief that they existed and her long periods of silence during which she had minimal awareness of what was happening around her all make her a difficult subject for detached analysis. And as I have said I wish to face the raw realities of our emotional involvement.

I will begin with our first meeting soon after she was admitted as a new patient at Mountain View, a meeting that was to change my life profoundly. From there I intend to complete her story in the manner that it was revealed to me, sharing our journey as it took place, although to make this account coherent I will summarize and perhaps interpret for her where I feel this is helpful.

I have taken the liberty of changing some names of staff here at the centre and other people who are mentioned in the narrative – they bear no responsibility at all for the events that consumed us, but for decency I feel that masking their identity is an appropriate step. At those moments in our story  where I now feel  responsible for so much I will be absolutely honest and look only for the readers consideration of my professional situation before they come to judge me.

The decisions I made in the grip of untamed passions will stay with me forever. My plea is ultimately one of guilty, but perhaps with mitigating circumstances.

_______________

My new creative writing course at the Evolution centre in Brighton, with Gary Mepsted, lasts 10 weeks and the main task is to create a 5.000 word short story in the first person, on the theme of unrequited love.

This is the first 500 words : which was the task for week one.

Beat the Rain

Marcel was 83 this morning. He knew that from the small calendar pinned to the wall by his bed. Every day he would mark a small dot next to the number, and every month he would turn the page because he enjoyed the sense of marking the time, but to him the rhythm of the seasons was already ingrained in his soul. Today was one of the only three dates that was circled in red – his birthday. Beside it he had written in small spidery letters his age, as there was no-one now to remind him.

He washed his face in the cold water, and got dressed by the soft yellow lanterns of the farmhouse, opened the bedroom door and greeted Cesar.

Gently he caressed the small dog, rubbing it’s ears and sharing a small piece of rabbit left over from the stew the night before. He talked to him about the day ahead, and about his thoughts of the night. Since the funeral his head kept getting full of things, and explaining these to Cesar helped to calm his mind. He told him that today was his birthday, and that he was 75 years older than Cesar, but not in dog years. In dog years Cesar would soon catch him up and then he too would ache and worry. He told him he understood that this seemed impossible to him now, but that time would pass quickly. But most of all he talked about the rain, and whether it would come this week. They had to beat the rain.

The gas ring on the old stove hissed as he boiled a small jug of water for the coffee. He loved the smell, Jules in the village provided the beans in return for a few bottles a year of his wine. 

With the gas ring on and the old log stove still glowing from the night before the kitchen was warm and comforting. It was early September but already the air was chilled. The stone walls were cool in the hot summer but bone cold in the winter, the shutters were layered with his patient repairs over the decades and the small cottage was full of drafts.

He had no need of a watch, nor of an alarm clock. The time that mattered to him was not absolute, he was driven by the rising and setting of the sun, and by the waxing and waning of the moon. He knew without thinking that he had exactly the right amount of time to walk to the top of the valley before the sun started to rise.

He opened the door for Cesar, picked up the small rucksack that he had as always packed the night before, put out the oil lamp, shut the door behind him and turned on the torch. It swung from the chest strap on his pack, the small beam swaying from side to side across the path with the rhythm of his walk. After fifteen minutes he turned it off and with the lightening sky he could make out the familiar path that he had climbed every morning since her funeral. As the track steepened he leant his weight on the stick, but his pace hardly slowed. As always Cesar would dart in and out of the vines, following the fresh scents of the rabbits, but he was always near. He did not need to look for him, or to call him. He would never really leave his side.

The track leveled off and the dawn was almost upon them. He breathed in the fresh chilled morning air. Every day he came here to watch the sun rise, to study the mists and the clouds. To get a head start on the days work. To think, to cling to things that mattered, to still the questioning voices. He climbed the last few yards above the highest part of the vineyards, turned to look back down the valley into the coming dawn and settled himself on the familiar rocks.

This time of year was so precious, so full of expectation. The fruit was nearly perfect. But it had been grey and cool for the last few critical weeks, the moon was waxing but still weak and he had chosen to delay the harvest to allow the small grapes to fully ripen. He was playing the rising moon and it’s pull on the waters of the vines against the increasing cold as the sun retreated. He was worried – his decision was full of risk. He had painstakingly pruned back the canopy by hand for the last 4 weeks, stripping back the protective leaves to let in as much of the precious sunlight as possible. That left the grapes exposed, one hail shower could ruin everything he had worked for.

He looked at the clouds in the valley, at the brightening sky, feeling the air above him. He would know perhaps with two days notice if the rains were coming, no more. But the pickers were booked now for next week, and there was no possibility of changing this. He knew that two other growers had made the same decision to delay, but most were already harvesting and no one could be brought on at such short notice should the rains come.

His lined face turned towards the sun, feeling the first touches of its magical light. He questioned the skies, watched the mists and the low clouds along the sides of the  valley. His cheeks felt the gentle breeze from the south. Slowly he relaxed, he was safe for one more day, it would not rain today nor tomorrow. He smiled, and explained this to Cesar. And then, as he always did, he filled a small cup from the coffee flask in his rucksack, took the old locket from his shirt pocket, opened it and then slowly and patiently described everything for her. He rocked gently backwards and forwards, and as the sun rose the dew slowly left the vines, the dog settled to the reassuring rhythm of his voice and his mind stilled for another day.

 

Notes from the Word Hoard

The way the exercise works is explained here.

Phrases

uber trendy architecture
the ramshackle old station
just stuck on
doing relaxing things
the day he died
beat the rain
the wind was cold
at least it was a job
everything started Monday
he now died

beat the rain * Selected

Thoughts

This short story is quite a leap from the image of someone leaving Clapham station on a cold Sunday afternoon –  but that happens.

I selected the phrase ‘beat the rain’ and from that for some reason I thought of wine producers and the decisions they have to make on the timing of their harvest, especially in poorer years. I like Marcel, and I would like to write more about him.

This was the first post from the inaugural meeting of the “3 jolly butchers writing group” this evening which thanks to the company of Richard was productive and fun!

Street shots from London

Spent a great couple of hours today looking to get some street shots in London.

I am quite pleased with the result, but have so much to learn. I think my biggest takeaway from today was just not to trust the small screen preview. Although on my Nikon D5100 it’s an excellent screen, you still can’t see enough details like the focusing and several times I thought I had captured exactly the image I wanted, only to be disappointed when reviewing them later in Lightroom.

I look forward to the next visit.

Some other shots from today –

More resolution options available on my Flickr.

I also learned that in winter standing around for ages on the streets is a mind numbingly cold experience, especially by the river!

Great fun!

Keep singing forever

So let’s sing a song about us.
Let’s sing a song about us.
They’ve sung about a bird
They’ve sung about a bee
But never sung a single note to you and me

Let me sing with you.

All that we need is a chorus,
So let’s start kicking up a fuss

Please keep guiding me, be there for me.

We’ll never, never, never get the chance again,
So let’s sing a song about us!

I so hate hospitals, please keep singing forever.

Notes from the Word Hoard

The way the exercise works is explained here.

Phrases

Across the generations
Keep singing forever
The years become generations
Am I me?

Keep singing forever * Selected

Thoughts

A short post inspired by a great friend singing for his daughter. Nothing lasts forever, but some things should.

 

So many questions

I lean on my side and I watch you. There is a distance where our mouths are so close that our  breath is intermingled and yet I can still see the details of your eyes. Gorgeous. Too close and everything I see is blurred, but the breath slowly turns into soft engagement. Beautiful. What am I searching for? What do I need from you? Some kind of confirmation. Thrilled I watch you enter your private world. Your open mouth and sparkling eyes, the way you look at me – everything about you says yes.

The night that is now behind us answered so many questions and yet left so much unasked.

Notes from the Word Hoard

The way the exercise works is explained here.

Phrases

We walk into our future
The night that is now behind us
My camera stays in the bag
Walking freely.

The night that is now behind us * Selected

Thoughts

I took this on a recent walk in he South Downs. Friends have commented that my recent posts are a bit depressing – this one is about that dislocation between a night of intimacy and the fresh world under the sunlight.

 

My new creative life