A contract to dance a Tanda

A phrase that perhaps we are very familiar with. This idea of the agreement. Invitation, acceptance – contract.

But a contract to do what exactly?

It is certainly not a contract to spend 10 minutes together. We can so that at a bus stop. Nor is it a contract to do what you always do – with everyone – yet again.

Surely it is an agreement to create an individual dance together.

Whatever the limitations we find in each other – we are jointly contracted to create something unique and we should share with equal commitment to that venture. Perhaps we cannot yet create what we aspire to. But with patience, focus, and listening skills we can indeed create something.

This takes so much work – it is so far from easy – just look at this image of Joâo Alves dancing this weekend at La Baldosita Milonga.

He is working so hard. Not on showing his skills to the outside world – but instead on her, the music, and what they can create together. He did this all evening – dancing noticeably differently with each follower – adjusting so many things.

In my view followers listen more than most men – if they did not they would have no idea where to move. Leaders take a while to learn to listen to the woman’s body – they have a lot of other concerns of course – navigation, safety and what to lead next to name just a few. But perhaps this is an excuse.

What I am enjoying trying to learn now is how to focus on the art. On the work that we are creating. To listen to her and then to adjust totally what I lead and how I lead it – because this is her – and this is now – and that was her response.

Creation is not a science. In the context of social tango it is an artistic miracle. Great art always asks questions and people respond in their own individual way..

What I am finding is that within this context limitations actually become inspiring. In my view Picasso created some of his most powerful and engaging work with a charcoal stick and an ink pen.

Constraints help us to focus on the art itself and not on the froth of the possible. If we do not have an ultramarine blue to share then we must instead use what we have – and with care and respect create this kind of image and not that one.

Of course if we are accomplished – and I am certainly not – we would value the experience of dancing with someone equally experienced and talented. But for the rest of us we can derive great pleasure from creating the best art that we can in this moment – in this contract – with this person and to this music.

So perhaps look for someone to dance with who wants to create something individual, something transient and unrepeatable. Someone who listens to you – and above all then changes how they dance because of what they hear.

When you find them – sign that contract.

And smile.

3 thoughts on “A contract to dance a Tanda”

  1. I danced last evening with a variety of leaders and so enjoyed the constant adjustments of dancing within a new space and what it meant to dance anew to the various familiar orchestras
    In that first moment of standing and entering the new embrace, to that first breath, to that first move. Sometimes a little hesitantly, sometimes in that instant connection of joining and then moving in that familiarly, unfamiliar space with a new leader. I feel the courage and willingness to share that special time of constantly adjusting and giving with an unknown soul. It’s not easy and I praise our ability to enter what you call ‘a conract’. Tango, this art, this dance, this constant motion of creativity, always fills me with wonder.

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